nevver:

My Gal Friday
lamelancoly:

Charles Stewart - from the serie Nudes of Harlem, 1961
museumuesum:

Paul Klee
Dream City, 1921
Watercolor and oil, 18 7/8 x 12 1/4 in
therewasagirlwholoved:

Ooops
nevver:

Zachary Johnson
noonesnemesis:

; )
frenchtwist:

via mudwerks * genzai:
ZoomInfo
frenchtwist:

via likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
frenchtwist:

via likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
frenchtwist:

via likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
frenchtwist:

via likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
frenchtwist:

via likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
frenchtwist:

via likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
ZoomInfo
truefoes:

Haunted Spooks (dir. Alfred J. Goulding & Hal Roach — 1920)
truefoes:

Haunted Spooks (dir. Alfred J. Goulding & Hal Roach — 1920)
truefoes:

Haunted Spooks (dir. Alfred J. Goulding & Hal Roach — 1920)
smokedrunk:

Mihai Criste
zucherman:

Listening to Bernard Herrmann
Zachary Johnson
howtoseewithoutacamera:

by William C. Beall
“Faith and Confidence”: A policeman speaks to a young boy at a parade in Washington, D.C., 1958. Pultizer Prize for Photography.
frenchtwist:

via akapearlofagirl * oldhollywood:

Anouk Aimée & Jean-Louis Trintignant in Un homme et une femme (1966, Claude Lelouch)